The Arricam LT is a lightweight sync sound camera. It features: ARRIGLOW module.Electronic shutter adjustable from 0º to 180º.Forward running speeds of 1 to 40 fps. Reverse running speeds of 1 to 32 fps (With studio magazines only).

The camera accepts the 400’ Shoulder, Steadicam and Studio magazines as well as the 1000' Studio magazines. 100% video top and low mode bracket for Steadicam use. Camera can be set up for regular and Super 35.

• Camera body
• Swing over view finder
• 19mm sliding base plate
• Long and short rods
• Ground glass
• 2 power cables

The 535B is a studio quiet 35mm production camera. It features a PL lens mount, SMPTE time code capable, crystal speed control (3-60 fps), mechanical variable shutter (11˚-180˚), Super 35 capable, preset speeds of 24, 25, 29.97 or 30 fps.

• Camera Body
• Sliding 19mm Base Plate
• Extension Finder with leveler
• 2 Power Cables

The 435ES is a high speed MOS camera with a built in crystal speed control that allows for speeds from 1-150 fps forward or reverse. The electronic shutter can be set from 11°-180°, and can automatically adjust exposure during speed ramp shots. The camera also features: Arriglow, Super or Normal 35 formats, swingover viewfinder and SMPTE time-code capabilities

• Camera body
• Viewfinder extender
• Eyepiece leveler
• Wide angle eyepiece
• Sliding base plate
• 19mm long & short rods
• In-gate filter holder
• 2 power cables

The Arriflex SR-3 Advanced camera includes the following features: variable mechanical shutter (45˚,90˚, 135˚, 144˚, 172.8˚ & 180˚), Arriglow, SMPTE time-code, PL lens mount, crystal speed control 5-75 fps, Normal or Super 16 formats. The SR-3 has preset speeds of : 24, 25, 29.97 and 30 fps.

• Camera body
• Super 16 ground glass
• Standard wide angle eye-piece
• Right on/off hand grip
• 2 power cables

The Beaulieu 7008 Pro is a quiet running Super 8mm camera with many features including: built-in crystal speed control (4-80 fps), intervalometer, reflex viewfinder, variable shutter, in-viewfinder light meter. Camera runs standard Super 8mm stocks, or Super 8mm color negative stocks.

• Camera body
• 7-56mm power zoom f 1.4
• Matt box, Lens shade
• Remote on/off switch
• Sound Barney

The Red One-MX is the latest next-gen 5k chip for the camera. Capturing progressive images in either 4.5k, 4k, 3k or 2k resolution. Variable frame rates may be shot at various resolutions. The camera's modular design, makes it easy to configure for your particular needs. The single 12 megapixel Mysterium-X CMOS chip comes standard with a PL lens mount, but can also accept a 2/3"- B4 lens mount. Recording is possible to a variety of media including: Compact Flash Cards (CF), Hard Drive or Flash RAM Drive.

• Red One-MX Camera Body with PL mount
• Red Cradle
• Red Rail System
• Red EVF/Monitor
• CF Module
• (4) Mini-XLR to XLR adapters
• (4) Batteries w/Charger
• (4) CF Red 8 GB Cards
• AC Power Supply

The PMW-F3 is equipped with a newly developed Exmor Super 35 CMOS image sensor which offers creative shallow depth of field, similar to that of a film camera. This sensor has an extremely high sensitivity of F11 (ISO800) with a very low noise level (an S/N ratio of 63 dB). This is a significant advantage especially when shooting in low-light conditions or at night using only ambient light.

The PMW-F3 employs a PL lens mount that is standard for film cameras, allowing use of a virtually unlimited number of prime and zoom lenses for 35-mm film cameras. This greatly broadens the choice of lenses for a wider spectrum of creative expression. A PL lens mount adapter comes with the camera as standard. The PMW-F3 supports the Cooke/i Technology protocol, which enables the camcorder to communicate with the lens to obtain lens metadata such as focus and iris position. The ARRI LDS interface will be supported as well. This improves post-production workflow as lens metadata can be recorded onto an SxS card and brought into the post-production process. The recording format and recording media are identical to the existing PMW-EX1R and PMW-EX3, and proven, high-speed, intuitive XDCAM EX workflow can be used with high reliability. This workflow offers seamless integration with leading nonlinear editing software. The PMW-F3 has a small, compact body with a very modest footprint, and weighs just 2.4 kg (5 lb 4 oz). It offers mobility, flexibility, and cost efficiency. In addition, the camcorder’s power consumption is only 24 W, and about three hours’ recording can be achieved with only one BP-U60 battery.

The PMW-F3 has an HD-SDI Dual-link output connector which offers 4:2:2 1080 50/59.94p uncompressed signal output as standard. By using external recording devices such as HDCAM-SR recorders, users can achieve x 2.5 natural slow-motion playback in 1080/24p mode. The PMW-F3 delivers a scalable external recording solution. When the RGB and S-LOG output option is added, RGB 4:4:4 baseband signal output is available for external recording devices such as HDCAM-SR recorders. A LUT (Look Up Table) function is also provided for monitoring purposes when S-LOG output is activated. The same option includes 3G-SDI output functionality. It enables users to select Dual-link HD-SDI or 3G-SDI depending on the connecting devices. Another new feature of the PMW-F3 is the 3D-LINK option which is especially convenient for 3D stereoscopic shooting. Two PMW-F3 cameras can be controlled by one camera remote controller at the same time. The two cameras are connected with a special 10-pin cable that includes genlock, timecode in/out, and control line. Simultaneous control of the Iris and Focus functions of two cameras is extremely useful .

The PMW-EX3 compact camcorder with an interchangeable lens system incorporates three ½-inch type Exmor™ Full HD CMOS sensors, each with an effective pixel count of 1920 x 1080, delivering stunning-quality HD images in 1080P, 720P, and 1080i HD resolutions. A rich variety of features for creative shooting are incorporated into this camcorder such as “Slow & Quick Motion”, which is also commonly known as “over-cranking” and “under-cranking”, selectable gamma curves, slow-shutter, interval recording and the Picture Profile™ feature. Additionally, the PMW-EX3 offers a convenient remote-control and multi-camera operation capability, which allows use with high-end camera systems.

The Sony PMW-EX1 XDCAM EX utilizes three newly designed 1/2-inch type "Exmor"™ CMOS sensors, each with an effective pixel count of 1920 x 1080. Coupled with newly developed signal processing, this camera produces truly exceptional images in 1080p, 720p and 1080i HD. Using another new Sony innovation, the SxS Memory Card flash memory device, very high data transfer speeds are also made possible in order to enhance the High Definition content creation workflow. Utilizing the MPEG-2 Long GOP CODEC to achieve a balance of quality and the required bit rate, you can now record approximately 140 minutes using two 16GB SxS Memory Cards in SP mode and 100 minutes in HQ mode. Additionally, the PMW-EX1 offers a powerful Slow & Quick Motion feature, or what is more commonly known as "over-cranking" and "under-cranking", to enable users to create slow and fast motion special effects.

Bringing together the advantages of digital technology with film-style operability, the F35 expands the “production toolset” available for high-end digital cinema and prime time program production both today and tomorrow. The new F35 digital cinematography camera offers a Super 35mm-sized CCD sensor and PL lens mount for cinematographers who have passion for 35mm film lenses. The F35's newly developed Super 35mm-sized CCD sensor provides breathtaking picture quality, an extensive range of depth-of-field controls, dynamic range, and F23-equivalent wide color gamut. The PL lens mount of the F35 allows flexible use of the vast majority of 35mm cinema lenses, which greatly expands creative possibilities.

The F35 is designed with the same platform as the F23, providing similar capabilities such as SR Motion and over- and under-crank. The F35 also provides an ergonomic design that allows direct docking with Sony's SRW-1 portable HDCAM-SR™ recorder. It's also possible to use an F23 and the new F35 in combination, for even more creative freedom.

Features: Super 35mm Single CCD Imager Full Resolution 1920 X 1080 RGB Select Frame Rate of 1 – 50 fps (4:4:4 or 4:2:2 Recording) Accepts 35mm PL Mount Lenses Integrated Camera System with SRW-1 Recorder 14-bit A/D converter and advanced DSP LSI Versatile gamma settings including unique S-LOG gamma curve

The VariCam is a progressive scan 720P high definition camcorder with a variable frame rate capability of 4-60 fps. The camera may be equipped in a simple ENG design, or may be equipped with film-style accessories such as a sliding base plate, MicroForce zoom control, matte box, and follow focus.

• Camera body
• Fujinon 7.8-132mm T 1.9 ENG-style zoom
• (4) On-board batteries
• Battery charger
• Power supply

The AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this genre, including production-quality 2/3" progressive 3-CCDs, DVCPRO HD quality, multi HD and SD formats, variable frame rates, and four independent audio channels. In addition, the HPX500 offers the outstanding benefits of P2 solid state recording including ultra-fast IT workflow and no-moving-parts reliability, which makes the camera ideal for use in harsh environments.

At only 8.2 pounds, the HPX500 features a high-performance digital signal processor (DSP) with 14-bit A/D conversion and 19-bit processing that handles HD/SD format conversion simultaneously -- ensuring spectacular images in all video formats for applications ranging from news acquisition, independent filmmaking, corporate video, sports and much more. To give your productions tremendous flexibility, the HPX500 records in over 32 HD and SD formats. The camcorder records on re-usable, removable P2 cards. With Panasonic's new 16GB P2 card and HPX500's four P2 slots, the camera records for 68 minutes of DVCPRO HD; 136 minutes of DVCPRO 50; and 272 minutes of DVCPRO.

With an advanced 1/3" 2.2-megapixel 3-chip imager featuring Ultra Luminance Technology (U.L.T.), the HPX370 delivers exceptional video performance for master-quality HD production. The shoulder-mount camcorder offers 10-bit, 4:2:2, full 1920 x 1080-resolution AVC-Intra recording, 2x P2 slots for dependable recording and an interchangeable Fujinon 17x ENG HD zoom.

The Panasonic AG-HVX200 is a handheld DVCPRO HD P2 camera-recorder designed to meet emerging needs in HD content production. It debuted as Panasonic's first HD video product to use P2, the cutting-edge solid state memory recording device that has revolutionized the entire production paradigm. The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. This system achieves a level of image quality that conventional handheld HD cameras simply cannot match, while also supporting HD/SD multi-format and multi-codec recording capabilities.

Variable frame rate recording is just one of the features that makes the AG-HVX200 unique in its class. Using technologies that make the Panasonic VariCam camera-recorder a favorite in movie production, this powerful function allows the overcranking and undercranking techniques used with film cameras to create fast-motion and slow-motion effects. The P2 card offers superior reliability, immediate playback and outstanding cost-performance. It allows direct connection to nonlinear editing systems and streamlines the production work flow, by providing to the editing system data files ready to be edited, rather than a video tape which would require the task of digitizing.

On top of all its advanced features and technologies, the AG-HVX200 inherits the refined design and easy operation that distinguishes Panasonic's high-value DVX100 DV camera series. In the AG-HVX200, video professionals of all kinds will find a powerful tool for giving form to their creative visions.

The Phantom HD GOLD allows you to select any frame rate from 1 to 1,000 fps in increments of one frame-per-second at HD resolution. Shift the frame rate a little and move the scene to a slightly future viewpoint. Or shift the frame rate a lot and move the scene to some long passing moment in time. With the Phantom HD GOLD camera's shutter, variable to 1/500,000 second, and radically adjustable framing rates, you have seamless control of the duration, speed and time of a story element.

The Phantom HD GOLD is available with 8, 16 or 32 Gigabytes of internal memory. But this is just the start of methods we provide to store your work. Take advantage of the hot-swappable non-volatile solid state recorders -- our Phantom CineMags. These low profile modules mount snugly to the top of the camera body and store 128, 256 or 512 GB each. When one of these storage magazines is filled, the Phantom CineStation allows downloading of the images to a PC running the Phantom software application.

ALEXA is a compact, lightweight and affordable digital camera that will redefine the limits of motion picture capture with ultra-fast workflows and image quality akin to 35mm film. From major motion pictures and high end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of applications and budgets. More than just a camera, ALEXA represents an entire image pipeline. By combining proprietary ARRI technology with ubiquitous tools from industry-leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built.

ALEXA is unique in that it can simultaneously record Apple QuickTime/ProRes files, output uncompressed HD video or uncompressed ARRIRAW data. This output versatility makes it ideal for a myriad of productions and workflows from telenovellas to feature films.

As the best recording media for the QuickTime/ProRes files, ARRI has chosen SxS cards because of their high data throughput. Two SxS cards fit into a module on the camera's left side for convenient on-board recording and are hot swapable. Two outputs which can be configured to 3G or 1.5G HD-SDI deliver an uncompressed high definition video stream with various options such as recording in 4:2:2 or 4:4:4 and ITU Rec709 or Log C tone mapping and color matrixes.

The two recording links can alternatively be used to output the ARRIRAW T-link signal, which can be recorded by a number of certified third party on-board recorders. ARRIRAW is the only way to access the full potential of ALEXA's sensor which has color and dynamic range capabilities far beyond standard HD. ARRI's own ARRIRAW Image Converter (ARC) provides image reconstruction features for the Windows, LINUX and Mac OS platforms. As a result of long term corporate initiatives with key development partners within the ARRIRAW Partner Program, a number of post production tools can now natively work with ARRIRAW files.

These output formats are well established standards that integrate the cameras seamlessly into the existing HD infrastructure.

The AG-3DA1 is the world's first professional, fully-integrated Full HD 3D camcorder that records to SD card media. The AG-3DA1 will democratize 3D production by giving professional videographers a more affordable, flexible, reliable and easier-to-use tool for capturing immersive content as well as providing a training tool for educators. At less than 6.6 pounds, the AG-3DA1 is equipped with dual lenses and two full 1920 x 1080 2.07 megapixel 3-MOS imagers to record 1080/60i, 50i, 30p, 25p and 24p (native) and 720/60p and 50p in AVCHD. It can record for up to 180 minutes on dual 32GB SD cards in Panasonic's professional AVCHD PH mode, and offers professional interfaces including dual HD-SDI out, HDMI (version 1.4), two XLR connectors, built-in stereo microphone and twin-lens camera remotes. brochure